http://observer.guardian.co.uk/omm/the10/story/0,11109,1171209,00.html
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The 10 worst rock reunions
Breaking up is hard to do but getting back together again can all be too easy - and all too wrong. Gordon Thomson picks the bands who really should have let the past speak for itself
Gordon Thomson
Sunday March 21, 2004
The Observer
1 The Doors of
the 21st Century
They were truly awful to begin with, a bloated self-important cabaret of
psychedelic fools led by the crown prince of bloated, self-important psychedelic
fools, Jim 'the Lizard King' Morrison. The Doors split in 1971 after Morrison
died in his bath in Paris, but in 2002, ex-Cult singer and fellow 'shaman' Ian
Astbury emerged, Matthew Kelly-like, through the Doors of perception, to fill
Morrison's snakeskin boots. His obsession with the occult, native American
mythology and, presumably, fat, rubbish poets with beards, has served him well:
the Doors of the 21st Century continue to tour successfully, although original
drummer John Densmore rocked the boat last year when he filed a lawsuit to
protect the good name of the band. 'It can't be the Doors without Jim,' he
explained. 'It could be the Windows, the Hinges, I don't care, as long as it's
not the Doors.' That clears that up, then.
2 Happy Mondays (1999)
Stupid, crooked and unpredictably brilliant, Happy Mondays reformed when the
taxman came a-calling. The reunion gigs were a drunken disaster - Ryder mumbling
lyrics off a teleprompter and squaring up to band members during agonisingly
long breaks between songs - and the comeback single was a 'flailing, half-arsed
dog's breakfast', a limp cover of Thin Lizzy's 'The Boys are Back in Town'. Call
the c-c-c-cops.
3 Velvet Underground (1993)
Always a volatile mix of individuals, it didn't take long for the Velvets' old
animosities to resurface when the band misguidedly reformed. Laugh-a-minute Lou
Reed - now resembling a molecular biology lecturer- fell out with viola
player/bassist John Cale during sessions for a new album; Cale disappeared in a
fug of avant-garde smoke, and the story of one of the truly great bands of the
past 50 years dribbled to a grim close.
4 The Alarm (2004) Earlier this year Mike Peters decided to give his deeply unfashionable band a revamp, so he sent out their new single under a pseudonym - the Poppyfields - accompanied by a video featuring younger men singing the song, '45rpm'. The Trojan Horse scam worked. The song blasted into the charts and Peters's gang hit the road once more, this time as the Alarm. Cue sweaty anthems about guns and storms.
5 Five Star (2000)
Romford's very own slushy-haired version of the Jackson Five reunited minus two
Stars ('The five stars meant the quality of our music, not the number of people
in the band') in 2000, to tour the cabaret circuit in the US and make lots more
money for their manager father, Buster. Doris and Delroy are pursuing their own
projects. Lucky them.
6 The Beatles (1995)
A travesty of bad taste, the 'Threetles' phemonenon of 1995 spawned the
spectacularly bad singles 'Free as a Bird' and 'Free Love' - mediocre Lennon
demoes brutally refashioned as ELO B-sides by Jeff Lynne - as well as a TV
series, CDs and a very expensive book. Beatles producer George Martin gave the
dismal 'new' songs an extremely wide berth. Canny man.
7 Jesus Jones (2002)
A defiantly bland early Nineties electro-guitar band, Jesus Jones recently
reformed to play motivational conference gigs in the States for vast sums of
money ('We came on after a film featuring a businessman searching sand dunes for
a buried laptop'). They currently have a set list of one song - 'Right Here,
Right Now' - played twice. Great value for their new clients, sorry, fans.
8 Fleetwood Mac (1993)
Proof that Slick Willie Clinton's musical tastes are as dubious as his Italian
traffic jam-influenced saxophone playing. Clinton was responsible for bringing
Fleetwood Mac back from the dead in January 1993 when he booked the famously
ill-tempered band to play his campaign song, 'Don't Stop (Thinking about
Tomorrow)', at the Presidential inauguration in Washington.
9 Musical Youth (2004)
A distressing enough proposition when they first emerged in the early Eighties,
this former chart-topping child group are about to re-enter our lives, fatter,
older and, clearly, a good deal poorer. The Youth were nippers when they
recorded 'Pass the Dutchie' in 1982, but they're big lads now, tackling 'big'
tunes: in this case a reggaefied cover of Roy Orbison's 'Pretty Woman'.
10 Sex Pistols (1996)
An unashamed money-making venture (oh, the irony), Pistols Pt 2 - the Filthy
Lucre World Tour - was a mercifully brief affair, though the appearance of Lydon,
dressed in tartan and silver and looking like a plump, gay Bart Simpson, was
enough to prompt bottlings in Scandinavia and bored yawns in Britain. No future,
wasn't that what you said, Johnny?
Guardian Unlimited © Guardian Newspapers Limited 2004
(thanks, Beverly)
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