http://www.dailyrepublic.com/articles/2005/06/24/entertainment_top_stories/ent02.txt

 

Bluesy hard rocker--The musical journey isn't over yet for Pat Travers

By Andrea Garcia

FAIRFIELD - Three decades in music and a stash full of vinyls have finally saddled musician Pat Travers to a confident place.

The Toronto, Canada, native, known for his bluesy hard rock hits "Boom Boom (Out Go the Lights)" and "Snortin' Whiskey," feels good about the space he's in, considering the guitarist and singer has been at this for years.

His career blossomed in the '70s, when he left home and headed straight for London. Soon after, he signed a recording deal with Polydor and released his first album, "Pat Travers," demonstrating his scorching guitar abilities to the world.

His music continued into the '80s and '90s, with his releases "Radio Active," "Just a Touch" and "Hot Shot."

And the guitar maverick is at it again. He recently released a new CD entitled "PT=mc2" and is performing with the Doors, or D21C as they're also known, with founding members of the group Ray Manzarek and Robby Krieger.

While barbecuing some steak and salmon in the back yard of his house in Orlando, Fla., Travers talks about his life, upcoming projects, some memorable moments.

What are you up to nowadays?

I released a new CD and I'm very excited about that. The label is Reality and they're doing a lot of PR, putting a lot of push into it. I tour with the Doors and it's allowing me to play in nice places. I watched the band Saturday night and it was really good, it's sort of seeing a better version of Jim (Morrison). The crowd loves it. I'm not sure if they're coming here, but it would be a shame if it didn't happen.

Actually, everything is going my way.

Then you should knock on wood.

Yeah, I'm feeling very confident right now. I have a really strong CD, I'm feeling good, looking good and playing good.

How did you and the Doors happen to get together?

These things just happen. I recorded an album with (drummer) Carmine Appice and in the course of doing that, I was introduced to Tom Victorino, that's Italian for victoria. He's a manager for the Doors, and he put us together and we hit it off.

He then called and asked if I wanted to do 30-40 dates with the Doors and then said he'd like to be my manager. I told him I'd think about it.

Did you really want to think about it?

(Laughs). I was pretty sure I wanted to do it. I hadn't had a manager since 1984 and I'm 51. It's like, what do I need a manager for? But Tom is a very dynamic and creative individual. He's great and gives me ideas. So far, so good. The fact that he manages the Doors and allowed me to get on this tour, well, I'm happy.

How would you describe your music? Blues, rock, what?

It's so difficult. I'm bluesy and I have bluesy bones. All my blues influences came from the English bands. I played guitar when I was 12 in 1966 and listened to Eric Clapton, Jeff Beck, Cream. But I also listened to a lot of soul music, like James Brown, Otis Redding and I like Deep Purple.

You know, the first album I got was from the Doors from my brother? It's very difficult. It's very difficult. If you hear the new CD it has kind of a few different types of things on it.

If I just did what Ted Nugent does and play one thing, or AC/DC, then maybe I would have faired better. I can't come up with a category.

What's the story behind "Snortin' Whiskey?"

Pretty simple. I had Pat Thrall from the Bay Area in my band and we would rehearse every day and what not. But 2 p.m. came and went, then 4:30 p.m. the big studio door got kicked open and he came in with an arm around a woman. He had a nautical date. I asked what he was doing, he said he was snortin' whiskey and drinking cocaine. That sounded like a tune to me. I wrote the song in five minutes and gave him half the writer's credit. And that's in the movie "Sideways." It's a very memorable part. A very lewd and lascivious part of the movie.

Is there a moment in your career that stands out to you?

That would be when we played a show for Bill Graham at the Oakland Coliseum in 1978. There were 65,000 people, Van Halen opened the show, there was AC/DC, my band, Foreigner and then Aerosmith closed. I don't think you could ever have a show like that again.

Was there ever a moment you got tired of being a musician?

No, I don't think so. I can do this until I die and I think I'm getting better at it. I was telling someone who's also in a band, that it's like sex, even when it's not that great, it's still pretty good.

I read you have a rebellious lifestyle. Is that true?

I don't think so at all. I think I'm a pretty normal guy.

What do you want to be remembered as?

That's a hard question. A decent fellow. I worked hard. I don't know. (Slight yell). Ugh, I just burned my hand fighting with the salmon. Maybe I'll do a cookbook.

Do you get uncomfortable talking about yourself?

I don't know. I like to let the music do the talking.

Who is Pat Travers?

Ah, he's a complicated individual. I don't know. I like to read, I like music, I'm energetic, sensitive, aggressive.

Describe your musical journey.

Incomplete. I'm not done yet. I'm so fortunate that I got to perform with and become friends with the people who were my teachers in the '60s. I always felt like I was one of the boys, that I would do something. And that's not an ego thing, I just felt I understood it.

Anything else you'd like to add?

Looking forward to coming out and playing on the 30th, and hoping people will have a chance to listen to the CD.

Reach Andrea Garcia at 427-6935 or agarcia@dailyrepublic.net.

Preview

Pat Travers presented by Pepper Belly's Comedy & Variety Theatre

9 p.m. Thursday

Fairfield Civic Center, 1000 Kentucky St., Fairfield

$25 general admission, 21 and over only, two-item minimum. Full bar and food menu available.
 

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