The following essay about songs by The Doors was written by Bob Lefsetz, and is reprinted with his permission.
Because of the length of some of the individual song stories, this essay will be broken into sections.
Here are the third, fourth & fifth songs he wrote about ........
THE DOORS TOP 16
3. Break On Through
It's the INTRO!
It's like you're driving down the highway, WAY TOO FAST,
fearing the
future will OUTRUN YOU!
There's minimal percussion. And that bass riff. It's like
cruising for burgers on amphetamines. You're all jumpy, all speedy.
"You know the day destroys the night
Night divides the day"
I think those day people are AFRAID of the night.
The day's all hustle and bustle. People earning a living.
Whereas nighttime...is quiet, inherently uneventful. You
can't outrun
your problems. They're right there, haunting you.
The night people are COMPLETELY DIFFERENT from the day people.
The day people will talk about their cars, their houses, their
jobs. The hassle of everyday living.
The night people will talk about life.
The night people are PHILOSOPHERS!
The day people put down the night people. They're lazy. They
can't get
with the program.
But living during the day is MISSING OUT!
We night people own the universe for eight to twelve hours a
day. It's
only us. There's no congestion on the freeway. Nobody elbowing us
out of the
way. Our only mission is DISCOVERY! Of ourselves, of LIFE!
"Break On Through" is a nighttime drive. It's the kind of
music George
Lucas should have used when the Millennium Falcon went into
HYPERSPACE. If
"Star Wars" weren't a cartoon, but real life.
Call me some evening after nine. I'll put the first Doors
album in the
car stereo. We'll drive down Sunset, crawl on Mulholland. Look
at the city lights. And talk about the meaning of life.
4. Soul Kitchen
Ray Manzarek might talk too much. But, make no
mistake, he could
PLAY! His keyboard textures were an INTEGRAL PART of the DOORS!
Sure, Morrison's belting of the chorus is a reason "Soul
Kitchen" is so great, but really it's Manzarek's priceless intro that makes
the track.
Slow and in the groove after the album's opening runaway of "Break On Through".
"Break On Through" is the anticipation of the date, the ringing of
the doorbell.
The awkwardness. "Soul Kitchen" is the actual drive. You've
pulled away
from the curb, with no particular place to go.
"Learn to forget, learn to forget
Learn to forget, learn to forget"
They talk about the San Francisco groups imploring the baby
boomers to
tune in, turn on and drop out. It's forgotten that this Los
Angeles band was
giving the same message. Alas, they were proffering a much darker
journey.
Albeit more akin to real life...
Come away with me. Everything will be new.
But I won't promise you'll get BACK!!!
5. Light My Fire
t might be the most PLAYED Doors track, but it's not the
best.
It's the pop SINGLE!
Actually, it worked AGAINST the band.
Believe me, we were hip by this point. A Los Angeles band
called THE
DOORS?
Like in THE DOORS OF PERCEPTION??? HOW FUCKING LAME! With a
HIT SINGLE
TO BOOT!
Our favorite acts didn't have hit singles. You didn't hear
"Purple Haze"
on AM radio. And it wasn't until EONS after "Disraeli Gears" was
in the marketplace that "Sunshine Of Your Love" crossed over.
This was the main reason I didn't buy the album. I expected
more LIGHT
MY FIRE!
And that's not what the rest of the album was.
But I had to wait for that afternoon in Sally's vacation house
to find
out.
Still, "Light My Fire" WAS famous for having two versions.
Yes, you had
to tune in to FM to hear the seven minute take.
We felt SPECIAL!
For the
average joe, the one LISTENING to AM, DIDN'T listen to FM, and had no
idea this version existed. It was just for us.
And it's this lengthy instrumental break, excised from the AM
version,
that makes the track.
Copyright Bob Lefsetz 2004
e-mail address: lefsetz@aol.com
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